{"id":1572,"date":"2026-04-25T17:23:39","date_gmt":"2026-04-25T16:23:39","guid":{"rendered":"http:\/\/www.technoromanticism.com\/en\/?p=1572"},"modified":"2026-04-28T22:02:22","modified_gmt":"2026-04-28T21:02:22","slug":"qui-biennale-de-venezia","status":"publish","type":"post","link":"https:\/\/www.technoromanticism.com\/en\/qui-biennale-de-venezia\/","title":{"rendered":"QUI Biennale de Venezia"},"content":{"rendered":"\n<p><strong>A 3m x 3m flag in the streets of Venice near the Biennale.<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"567\" src=\"http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/04\/QUI-fond-bleu-2026-W.jpg\" alt=\"\" class=\"wp-image-1573\" srcset=\"https:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/04\/QUI-fond-bleu-2026-W.jpg 567w, https:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/04\/QUI-fond-bleu-2026-W-300x300.jpg 300w, https:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/04\/QUI-fond-bleu-2026-W-150x150.jpg 150w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>WHO (HERE)<\/strong><br>One word. Two languages. A question hanging in the air of Venice.<br>WHO \u2014 in Italian, here. An anchor, a designation of place. We are here, on this<br>fragile land set upon the water, at this precise spot in the world where beauty and<br>menace have coexisted for centuries.<br>WHO \u2014 in French, who. A question of identity carried by the wind in the flag. Who<br>are you? Who are we?<br>This flag flies at the intersection of these two meanings, where place meets identity.<br>Here and Who merge: to be somewhere is also to be someone.<br>In Venice, this dual question takes on a particular resonance. The Venetians are<br>here \u2014 proud of their unique city, their millennia-old culture, their way of inhabiting<br>water and stone. But this \u2018here\u2019 is under threat. From rising waters. From the<br>flood of visitors who pass through the city without settling there. From the slow,<br>documented disappearance of those who truly live there.<br>So WHO becomes both a command and a question: Be present. Be aware. Look at<br>where you are. Look at who you are.<br>And you, visitor, passer-by, tourist, resident \u2014 WHO are you, here?<\/p>\n\n\n\n<p><strong>Una bandiera di 3 m x 3 m per le strade di Venezia, nei pressi della Biennale.<\/strong><\/p>\n\n\n\n<p><strong>QUI (ICI)<\/strong><br>Una parola. Due lingue. Una domanda che fluttua nell\u2019atmosfera<br>veneziana. QUI in italiano, ICI in francese. Un ancoraggio, un luogo<br>designato. Ci troviamo qui, su questa terra che emerge dall\u2019acqua,<br>in questo esatto luogo del mondo dove la bellezza e la minaccia<br>coesistono da secoli.<br>QUI, in francese: Who in inglese. Una domanda trasportata dal vento<br>della bandiera. Chi sei tu? Chi siamo noi?<br>Questa bandiera fluttua tra questi due sensi, nel punto esatto dive<br>il luogo in cui si trova incontra l\u2019identit\u00e0. ICI e QUI si intersecano:<br>trovarsi da qualche parte, significa essere.<br>A Venezia, questa duplice domanda ha una certa risonanza.<br>I veneziani si trovano QUI, fieri della loro citt\u00e0 che la rende unica al<br>mondo, della loro cultura millenaria, del loro modo di vivere il mare<br>e le loro costruzioni di cemento. Ma questo QUI \u00e8 minacciato per<br>l\u2019innalzamento del livello del mare, per l\u2019affluenza dei visitatori che<br>visitano la citt\u00e0 senza mai fermarsi ad ammirarla, per l\u2019abbandono<br>lento e censito dei suoi abitanti.<br>Allora QUI diventa tanto un obbligo quanto un\u2019interrogazione: esserci,<br>prendere coscienza, capire dove di trovi:<br>E tu, visitatore, viandante, turista, abitante, QUI ti trovi, ici?<\/p>\n\n\n\n<p class=\"has-text-align-right has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-e3c04334c073907a1ee1513081fd6381\"><a href=\"https:\/\/laboprint.eu\/en\/\">Merci \u00e0 Laboprint<\/a> !<\/p>\n","protected":false},"excerpt":{"rendered":"<p><a class=\"moretag\" href=\"https:\/\/www.technoromanticism.com\/en\/qui-biennale-de-venezia\/\"> Read the full article&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/comments?post=1572"}],"version-history":[{"count":3,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1572\/revisions"}],"predecessor-version":[{"id":1595,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1572\/revisions\/1595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/media\/1573"}],"wp:attachment":[{"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/media?parent=1572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/categories?post=1572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/tags?post=1572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}