{"id":529,"date":"2016-10-17T14:41:18","date_gmt":"2016-10-17T13:41:18","guid":{"rendered":"http:\/\/www.com-post.org\/techno\/?page_id=529"},"modified":"2022-09-08T15:26:48","modified_gmt":"2022-09-08T14:26:48","slug":"texts","status":"publish","type":"page","link":"https:\/\/www.technoromanticism.com\/en\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"

\u00abSt\u00e9phan Barron occupe, en Europe, une place \u00e9minente dans une d\u00e9finition spatio-temporelle de l\u2019image vid\u00e9o\u00bb.
\nPierre Restany in Le monde de l\u2019art en 1995<\/p>\n

\u00ab For St\u00e9phan Barron, technoromanticism is a spiritual quest in the area of technological art \u00bb.
\nFrank Popper, Contemporary artist, 5th edition<\/p><\/blockquote>\n

Downloads<\/h2>\n

St\u00e9phan Barron’s Artbook<\/a> (pdf 56 Mo)<\/p>\n

Textes critiques<\/h2>\n

RESTANY Pierre, Le m\u00e9ridien ou le trait fractalis\u00e9<\/em>, D\u00e9pliant de Traits<\/em>, Ed. Rien de Sp\u00e9cial, Secqueville-en-Bessin, 1990<\/p>\n

CAUQUELIN Anne, \u00ab Cette terre qui nous regarde \u00bb, texte en ligne sur http:\/\/www.technoromanticism.com\/en, 2004<\/p>\n

CAUQUELIN Anne, L\u2019exposition de soi, Du journal intime aux webcams, Ed. Eshel, Paris, 2003<\/p>\n

de M\u00c8REDIEU Florence, Arts et nouvelles technologies, Ed. Larousse, 2003<\/p>\n

Derrick de KERKHOVE<\/p>\n

POPPER Frank, L\u2019art \u00e0 l\u2019\u00e2ge \u00e9lectronique, Ed. Hazan, Paris, 1993<\/p>\n

POPPER Frank, Contemporary artist, 5th edition, 2000<\/p>\n

M\u00dcLLER Markus, \u00ab Traits-Linien \u00bb, D\u00e9pliant de Traits, Ed. Rien de
\nSp\u00e9cial, Secqueville-en-Bessin, 1990<\/p>\n

COSTA Mario, \u00ab Le voyage de St\u00e9phan et Sylvia \u00bb, D\u00e9pliant de Traits,
\nEd. Rien de Sp\u00e9cial, Secqueville-en-Bessin, 1990<\/p>\n

COUCHOT Edmond, \u00ab St\u00e9phan Barron et le plaisir de l\u2019ubiquit\u00e9 \u00bb texte en ligne, 1997<\/p>\n

FARGIER Jean-Paul, \u00ab Devoir de Fran\u00e7ais \u00bb, Les cahiers du cin\u00e9ma, n\u00b0397, Paris, juin 1987<\/p>\n

BROWN Paul, \u00ab St\u00e9phan Barron at the Old Treasury Building \u00bb, Catalogue du Festival International d\u2019Adela\u00efde, 1996<\/p>\n

KOSIK Antonin, \u00ab Autoportr\u00e9t \u00bb, Atelier, n\u00b03, 10 f\u00e9vrier 1994, Prague<\/p>\n

ROGUE Evelyne, \u00ab Com_post de S. Barron ou le miroir de la communication\u00bb.<\/p>\n

KNEBUSCH Julien, \u00ab\u00a0Planet Earth in Contemporary Electronic Artworks\u00a0\u00bb, in Leonardo, MIT Press, vol. 37, n\u00b0 1, 2004<\/p>\n

De CASTRO Ilda Tereza, Arte e ecologia : sobre a Arte Planet\u00e1ria e o Tecnoromantismo<\/em>, Lisbonne, 2015
\ntrad. Art and Ecology : On Earth Art and Technoromanticism
\ntrad. Art et \u00e9cologie : Sur l’Art Plan\u00e9taire et le Technoromantisme<\/p>\n

Ecrits<\/h2>\n

Earth Art, Art Plan\u00e9taire<\/em>, c\u00e9d\u00e9rom, catalogue de l’exposition personnelle de St\u00e9phan Barron \u00e0 l’Ecole R\u00e9gionale Sup\u00e9rieure d’Expression Plastique de Tourcoing, Editions Rien de Sp\u00e9cial, 2000<\/p>\n

Technoromantisme<\/em>, Ed. L\u2019Harmattan, Paris, 2003<\/p>\n

Toucher l\u2019espace, po\u00e9tique de l\u2019Art plan\u00e9taire<\/em>, Ed. L\u2019Harmattan, Paris, 2006<\/p>\n","protected":false},"excerpt":{"rendered":"

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