{"id":1582,"date":"2026-04-25T21:41:38","date_gmt":"2026-04-25T20:41:38","guid":{"rendered":"http:\/\/www.technoromanticism.com\/en\/?p=1582"},"modified":"2026-05-22T09:12:41","modified_gmt":"2026-05-22T08:12:41","slug":"male-biennale-de-venezia","status":"publish","type":"post","link":"http:\/\/www.technoromanticism.com\/en\/male-biennale-de-venezia\/","title":{"rendered":"MALE Biennale di Venezia"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">You can view the finished work <a href=\"https:\/\/www.technoromanticism.com\/en\/oeuvres\/male\/\">here.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Corte Nuova by the Arsenal. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11 May\u201323 November 2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And 50 metrer is my other installation <a href=\"https:\/\/www.technoromanticism.com\/en\/immagina\/\">IMAXENA<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"987\" height=\"1024\" src=\"http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/05\/4_MALE_26_W-987x1024.jpg\" alt=\"\" class=\"wp-image-1654\" srcset=\"http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/05\/4_MALE_26_W-987x1024.jpg 987w, http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/05\/4_MALE_26_W-289x300.jpg 289w, http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/05\/4_MALE_26_W-768x797.jpg 768w, http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/05\/4_MALE_26_W.jpg 1000w\" sizes=\"auto, (max-width: 987px) 100vw, 987px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"http:\/\/www.technoromanticism.com\/en\/wp-content\/uploads\/2026\/04\/MALE-BLEU_W.jpg\" alt=\"\" class=\"wp-image-1583\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-820fe6a75049a1d528658efd8f0a8f0a wp-block-paragraph\"><strong>Flag 3mx3m in the Corte Nuova by the Arsenale di Venezia<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-c69ecc86864de4ce4f3daea64e075346 wp-block-paragraph\"><em>In Italian, il Male. In English, the Male. This collision is no accident \u2014 it is a question cast to the wind, hanging in the Venetian air like a doubt adrift. Is the Male Evil?<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-2397a774a6a774f79dec5200337aa91a wp-block-paragraph\"><em>A flag is by nature an emblem of belonging, an assertion. Here, it turns against itself. It asserts and questions at once. It claims nothing \u2014 it suspends.<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-8867ea3eeb37cecb03594aeb630d7281 wp-block-paragraph\"><em>Floating near the Biennale, this flag without nation or camp speaks to all the masculinities that doubt, that search, that resist injunctions \u2014 whether they come from tradition or modernity.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-5c5ea022f95873f7a35b614e7c72df30 wp-block-paragraph\"><strong>Bandiera 3 m x 3 m per le strade di Venezia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In italiano, \u2018Il Male.\u2019 In Inglese, \u2018The Male\u2019. Questo scontro non \u00e8 un caso, ma \u00e8 una domanda posta al vento, che aleggia sospesa nell\u2019aria di Venezia come un dubbio fluttuante. The M\u00e2le \u00e8 il Male?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La bandiera \u00e8 per sua natura un emblema di appartenenza, un\u2019affermazione. Qui, si rivolta contro se stessa. Afferma e interroga allo stesso tempo. Non rivendica nulla, ma sospende, cio\u00e8 mette in attesa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sventolando vicino alla Biennale, questa bandiera senza nazione n\u00e9 schieramento si rivolge a tutti coloro di sesso mascolino che dubitano, che cercano, che resistono alle imposizioni, siano esse provenienti dalle tradizioni o dalla modernit\u00e0.<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-91c46dae2c8f4d3f8a52737ab1e8e680 wp-block-paragraph\"><strong>Drapeau 3mx3m dans une rue \u00e0 Venise.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En italien, il Male. En anglais, le M\u00e2le. Cette collision n&rsquo;est pas un accident \u2014 c&rsquo;est une question pos\u00e9e au vent, accroch\u00e9e dans l&rsquo;air de Venise comme un doute qui flotte. Le M\u00e2le est-il Mal?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le drapeau est par nature un embl\u00e8me d&rsquo;appartenance, une affirmation. Ici, il se retourne contre lui-m\u00eame. Il affirme et interroge en m\u00eame temps. Il ne revendique rien \u2014 il suspend.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Flottant pr\u00e8s de la Biennale, ce drapeau sans nation ni camp s&rsquo;adresse \u00e0 toutes les masculinit\u00e9s qui doutent, qui cherchent, qui r\u00e9sistent aux injonctions \u2014 qu&rsquo;elles viennent de la tradition ou de la modernit\u00e9.<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-34b70ca6ae4a1f6b7943b4c046b533a9 wp-block-paragraph\" style=\"font-size:15px\"><strong>Traduzione e adattamento dal francese all\u2019italiano a cura di Annamaria Biroccio<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-right has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-358fb109c3b7dc61a928e7328c7e329d wp-block-paragraph\" style=\"font-size:17px\"><strong><a href=\"https:\/\/laboprint.eu\/en\/\">Merci \u00e0 Laboprint<\/a> !<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p><a class=\"moretag\" href=\"http:\/\/www.technoromanticism.com\/en\/male-biennale-de-venezia\/\"> Read the full article&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1672,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"acf":[],"_links":{"self":[{"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/comments?post=1582"}],"version-history":[{"count":15,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1582\/revisions"}],"predecessor-version":[{"id":1781,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/posts\/1582\/revisions\/1781"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/media\/1672"}],"wp:attachment":[{"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/media?parent=1582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/categories?post=1582"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.technoromanticism.com\/en\/wp-json\/wp\/v2\/tags?post=1582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}